Zhongshi Li's creative practice primarily employs methods such as retracement and withdrawal, destruction and reconfiguring to construct new modes of seeing and cognition. Through image-based research and conceptual practice, he engages in open-ended reflection on established systems of meaning and a rejection of authoritative narratives. Within the intertextual relationships constructed among images or objects, contradictions emerge alongside ambiguities between opposing concepts.
李仲实的创作行为主要以折返和撤回、破坏和重置等方法去建构新的观看方式和认知方式。通过图像研究和观念实践，对固有意义体系的开放性反思及对权威叙事的拒绝，在编构图像之间或事物之间的互文关系中涌现矛盾性和对立概念之间的暧昧性